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Poetry contains the Whole Universe… and so do We.

The Consciousness of the Whole
is very much contained in All of its Parts

Michael Talbot in “The Holographic Universe”

” When I look up at the night sky and I know that, yes, we are part of this Universe,
we are in this Universe,
but perhaps more important than most of those facts is that the Universe is in us.
When I reflect on that fact, I look up — many people feel small, because they’re small, the Universe is big — but I feel big, because my atoms came from those stars.
There’s a level of connectivity — that’s really what you want in life.
You want to feel connected, you want to feel relevant.
You want to feel like you’re a participant in the goings on and activities and events around you.
That’s precisely what we are, just by being alive.”

❝ As the laws of science according to superstring theory (which entail the uncertainty principle and laws of thermodynamics), tell us four fundamental things about matter and the nature of matter’s movement in this universe:

1. Matter is symmetrical
2. Matter is hyperspacial
3. Matter is uncertain
4. Matter is entropic

These claims have important consequences for our forms of expression.
If we accept them, we must also accept the claim that, in our universe, representations of matter are more successful when they represent more precisely matter’s form and meaning (matter’s symmetry, uncertainty, and entropy) in multiple dimensions.
Better said: in a wave-composed multi-dimensional universe (in the universe superstring theory claims we live in), wave-composed multi-dimensional representations seem to work best. But what could a “wave-composed multi-dimensional representation” possibly look like?
And how would it work?
✶ ✶ ✶ ✶ ✶ ✶ ✶

My answer: a wave-composed multi-dimensional representation would look and work much like a POEM in a book.
✶ ✶ In a written poem, the form of representation (symbols on a flat page) expresses a three-dimensional (2 space, 1 time) formal pattern which somehow communicates a multi-dimensional thematic pattern (the poem’s content or meaning).
Together, these “patterns” (formal and thematic) constitute what we call the poem’s “meaning.” ❞
ᔥ Joshua Parkinson in “The Consequences of String Theory for Knowledge and Representation”

Einstein once said, “Nature shows us only the tail of the lion. But I do not doubt that the lion belongs to it even though he cannot at once reveal himself because of his enormous size.”

Einstein spent the last 30 years of his life searching for the “tail” that would lead him to the “lion,” the fabled unified field theory or the “theory of everything,” which would unite all the forces of the universe into a single equation.

The four forces (gravity, electromagnetism, and the strong and weak nuclear forces) would be unified by an equation perhaps one inch long.

Capturing the “lion” would be the greatest scientific achievement in all of physics, the crowning achievement of 2,000 years of scientific investigation, ever since the Greeks first asked themselves what the world was made of.

But although Einstein was the first one to set off on this noble hunt and track the footprints left by the lion, he ultimately lost the trail and wandered off into the wilderness.

ᔥ Dr. Micho Kaku, theoretical physicist in
“M-Theory: The Mother of all SuperStrings”

❝ Artists have known this for ages: expressing a phenomenon more precisely means representing more precisely that phenomenon’s form and meaning in multiple dimensions.
Multiple dimensions allow more space for the artist to convey what poet Arthur Sze might call the object’s “hue” or “wave”—its essential meaning, tone or rhythm.

When an artist represents an object in multiple dimensions, he gains more space wherein to unify the object’s form and meaning (the object’s formal and thematic patterns, and the temporary, uncertain presence of those patterns) and thus express the object more comprehensively.

Today the same seems to be true for scientists.
Superstring theory has dominated theoretical physics for the last few decades because it seems to represent and account for physical phenomena in a more unified and precise way than ever before.
By increasing the number of dimensions of spacetime to 10, superstring theory creates enough room to unify all the known forces of nature.
In fact, as I write today in May 2000, the theory is the only physical theory that accomplishes such unification—it is the only standing “Theory of Everything.” ❞

ᔥ Joshua Parkinson in
Physics = Harmonics = Poetics
The Consequences of String Theory for Knowledge and Representation

“The degree of subtlety of a level of reality corresponds to the degree of novelty and unfamiliarity of the concepts needed to adequately comprehend it.”

Richard L. Thompson, Ph.D. in Mathematics

ᔥ Vedic Science — Physics to Metaphysics

The Parable of the Rainbow Room

I want to give you a parable, a metaphor of life, and it goes like this. There is a room we will call the Rainbow Room. In this room, all the colors of the rainbow present themselves linearly, one at a time, and they change every few thousand years.

The room needs this to exist, and that’s why it’s called the Rainbow Room. For thousands of years, the room is yellow, then it turns into the blue and the red, the purples, the greens and slowly, the room goes through all the colors of the rainbow. The colors take their turn in the spectrum, one at a time.

In this room, I would like to introduce you to some creatures - smart, intelligent and sacred, all born during a time when the color in the room was red. Their parents were also born during the red cycle, and even their grandparents. In fact, as far back as they had recorded history, the room was always red. It’s all they’ve ever known. Therefore, you might say they have a red consciousness and they expect red. Everywhere they go, they work with red. They are the red people.

Over time, the Rainbow Room starts to do what it always has done and slowly begins to move into its next color, purple.

The room starts to become purple. What happens to those who have always known red? The first thing is fear. The red people say, “Here comes something odd and unusual, and it has never happened before! It’s dark and somehow scary. We must have done it. We must be responsible. There is no other explanation! Therefore, we must find ways to stop the purple. It’s supposed to be red. Purple is bad.”

But even among the red people, there are a few who say, “We welcome the purple. We don’t know why it’s here, but we recognize that it’s appropriate. Although we’ve always been red and we don’t understand the purple, we’re not afraid of it. Ancient esoteric prophesy told us that someday a shift in the red would come. God bless the purple.”

And that’s the energy you sit in now, dear ones, for that which has been normal on this planet for all of these thousands of years is about to shift.

When it does, it’s going to present more anomalies than birds falling out of the sky or fish washing up on the shore or melting ice caps.

ᔥKryon —Boulder Colorado - January 16 , 2011

“Color is made up of different Wavelengths and Frequencies. Blue, Indigo and Violet are the higher frequency wavelengths. The higher the frequency, the higher the energy of that light.”

ᔥ Introduction to Light - Quantum Mechanics by the Khan Academy